In which Helen is impressed
A voice breaks into her thoughts. Someone has stood up. In fact several are already on their feet with hands held aloft and heads tilted back, Helen notices in surprise. The speaker is a West Indian with a clear penetrating staccato tenor. He is singing a sort of message to a wavy melody that is perhaps spontaneous in its direction but definite in its delivery. The words he sings are a challenge, a demand even, to allow him – no, the ‘me’ must mean God – into every corner of their minds, to not hang back or hold him at bay but to allow his truth to penetrate and free. Hold onto me in the dark recess, and my light will show the way to freedom. There is more but Helen recalls only the gist. It seems as if he is singing to her alone. Such gentleness, such compulsion to let go. Helen rarely lets go (a few weeks ago she would have declared never, but is now wiser) but acknowledges a deep yearning inside to do so. It’s silly of course, he cannot know her, so it must be meant for someone else. She takes her eyes off the singer and watches Addison.
He is standing in a trance, one hand stretched out and up, a look of total concentration on his familiar features. More white teeth appear as he slowly smiles in satisfaction. Helen recognises the look and the mind behind it. He is pleased that God has taken over. Helen would prefer proof that it is God, but is willing to suspend judgment while she observes. (She must be taking note of Addison’s sermon, she thinks wryly.)
More words are spoken, of encouragement to go deeper, give freely, spread the word or bring their trials to Jesus. Helen takes in less of this. The music starts again, the band joins in, directing speed and repetitions, and Addison invites the younger ones, who are already girating in time to the music, to come up front with him and dance to the Lord.
‘As the Lord leads, express your love,’ he shouts to the congregation after a few more moments. ‘Let every fibre of your being praise the Lord. The children are not inhibited. Follow their example.’
Carla catches Helen’s eye with a raise of her own brow. She is not being critical, Helen notes, merely accepting of Addison’s exuberant leading. That must be so, because she is jigging with Dinah on one hip, despite the baby’s attempt at pre-noon sleep. This makes Helen laugh out loud. She is so used to the noise now that she can hear her own laugh quite clearly. But thankfully it is immediately lost in the general loudness. No one else heeds them.
She is not alone in keeping her feet firmly planted on the wooden floor – but then again, there are so many people, possibly two hundred or so, she calculates, that no one stands out unless they make a point of being heard or seen. Like the children up with Addison. It’s good to see youngsters occupied safely, she thinks. Another point in his favour.
Suddenly one of them turns to the congregation and his voice carries over the dying notes of the tune. The words are nonsense. He speaks a string of gobbledegook as certainly as if it were English, clear and high-pitched, having a ring of authority about it, which is quite at odds with the rubbish pouring out. Helen is not the only one stunned to silence.
Posted by psychmum
Posted by psychmum
Posted by psychmum